Neil Clements

Moat 2009

Marble flour, polyester resin, aluminium.

Bottomless Doubt 2009

Large format polaroid.

XV*** 2009.

Oil on canvas.

iv. The patenting and initial production of Gibson’s “modernistic” guitar series in 1958

is separated by well over a decade from its subsequent adoption by musicians

dramatically different from those to which it was originally marketed.

There is a very particular satisfaction to be gained from watching

the shifting play of context on objects that once aspired to be timelessly modern.

Neil Clements